Monthly Archives: November 2025

Blue

I was enthralled last night with the deep blue of the late evening sky. Blue seems to be a color that in itself, uninterrupted, unpatterned, is profoundly engaging. I think that certain shades of ochre strike me that way, too. But considering green I thought that green is most amazing when it is in company with other shades. Like emeralds set in a piece of jewelry, or the myriad shades of green in the expanse of a forest or meadow. It’s the interrupted green which is most engaging. And in a single shade – a lime green wall, a kelly green dress – it seems dull. Gray is another that seems most engaging by it’s variation, such as in the layered clouds of a tumultuous day, or the stained rocks of a cliff-face.

Danger

How often I see Brazilians wearing their ubiquitous backpacks on their bellies, to prevent thieves quietly opening the zippers to take things. Yet one day, in the crush of a crowded ferry ride, I put my backpack on my belly (which I rarely do), and a couple people in my group commented, thinking it was strange. In fact, no one in the thick crowd had their backpack on their front. Maybe ferry rides are devoid of thieves. Mysterious.

Who has taken your voice?

It is a bit odd to hear so many videos (especially shorter ones on YouTube, Instagram and other social media sites) narrated by an electronic voice. Even if the person producing the content has a speech impediment, difficult accent or you just feel timid, your voice is yours, and will bring a special flavor to your material. It seems strange to hide behind a robotic voice that makes everyone sound the same (presumably there are different choices but the default is the one that appears constantly).

I was pondering something similar with a friend today, recalling instances of people (mostly women) who speak in an alternate voice in stressful situations, such as switching to a child-like voice when speaking before a group or in front of superiors; whereas when in private (with trusted friends, for instance) they speak strongly and clearly, without shyness. But we also do this to avoid frightening people who are very sensitive, don’t we? Speaking gently and in a more child-like voice when comforting someone who is startled, for instance?

An unexpected thing with singing has been learning to be comfortable with my own sound, since the sound produced by lyric singing is very unlike the sound produced by ordinary speech. As new sound production develops it can seem too loud, resonant, harsh, brittle, sharp, nasal, vibrant, or even painful to the ears. My professor’s favorite thing to say at times is “If it sounds weird, you’re doing something right!” because if the voice is in familiar territory you are not exercising and expanding the range and quality of vocal production for singing.